second in the series of limited disco re edits from a certain mellow house producer you cant go wrong with the originals of either of these tracks especially with the cowbell prodded synth riff of the classic dyson track originally from 1982 on the flip the rare disco congo from a 1977 westbound lp with a memorable bassline reminiscent of the o jays for the love of money before the track heads off to trinidad for a steel band breakdown

excellent rockin electro tech burner , especially the prudo mix!!! played by james flavour / dirt crew, david duriez, lars sandberg (funk d void), gusgus

electronic house and tech house with a slice of tribal a sides original mix is a gritty sleazy knockout aimed at the hottest progressive floors out there especially as the minimal but wickedly effective bit of depeche y vocal slides in flips nocando remix goes deeper at first with a filthy minimalist electro bender that warms up a bit slowly before catching fire at the break big one

nice price deal !!! w.a.n.a. is a fresh sounding electro-house cut which refers a lot to the sound of producers like dj t, marco passarani, francisco or even the hacker, cool electro spheres put on solid house beats. the b-side features a wicked mike monday remix, who has gained growing support over the last year with his great productions on freerange and his own label playtime with hits like which day is it?, tooting warrior or buttfunk. this remix has a mega dirty pumping bassline that leaves the floor in a devistated state especially after the climaxing break when the strings come in. a great rocker this one

red hot on cd-r especially with benji b & gilles, unified is proud to release sexy by peven everett & this song lives up to its name! a light house vibe leads the way with lush spanish guitar & of course peven! the flip offers up a slightly broken & extremely bass heavy remix. top notch

nice house number especially made for those big rooms (sb)

as one of the founding fathers of the uk techno scene, kirk s discography is staggering especially when you think about how he s stayed so true to himself and remained focus on what he does best – deep, atmospheric, soulful techno. so here we have 2 slices of said deepness in the form of alcyone and tau ceti . this is simply lush, machine music made with a lot of tlc from an original master of his game. stick it on your hi-fi whilst tripping or blast it on your car stereo whilst hurtling along at 4am for maximum impact

especially in ibiza the track has actually been one of the most played traxx during this season. chab has hooked up with nobody else than jd david who is responsible for the vocals on david guettas the world is mineto create this progressive house mega monster.. here is a short list just to name a few supporters : pete tong, didier sinclair, kurd maverick, antoine clamaran, disco boys, david guetta, tocadisco, john digweed.

hottest dessous rec girlshirts: american apparel baby rib cap sleeve. high quality shirt from aaæs young womenæs line. because the fabrics are stretchy, especially this baby rib, which has a stretch factor of over 100%, each size can fit a wide range of women. the medium/one size (m/os) fits approximately 80% of women.

created quite a buzz when it originally came out in 2000. excellent clubby house especially for lexion loverzz..one trance mix.. support by jean and jose..

follow up to the highpoint florfiller crack house ! clanking chicago riffs, big bass, funkin synths and using the vocal !dj rush continue to pursue his well known old skool fixation by slowing and stripping things down especially on the vocal side !

after the huge success of the last exun (dj all*star & l.e.a.) this is the perfect follow up! especially before the summer break! big electronic basslines surrounded by sublime melodies and big breaks! both sides got everything, if you need the crowd to go mad. big with karotte, tobi neumann and pascal feos

hutton drive (known for his great tracks on 7th-sign and soma) brings us 2 chicago bassment tracks in the style of early dj rush, larry heard (gherkin) and roy davis. especially '324' which is a long buildig track that builds and builds and goes on with a dirty irrisistable groove. the flip contains 'moodin' which has a energy like lil louis french kiss and is kind of cross over between early chicago and detroit. check

the original track has an infectious almost commercial vocal sound with a definite felix edge. the two remixes bear down hard and transform the track into an edgey sound kind of in a goldfrapp/ fischerspooner vein, especially the alanis version

the album version is a great late-night dub version plus especially a super dope i:cube version between oldschool chicago rhythms, busy acid lines and percussive african-finger-piano style sounds. another dessous sure-shot!

a detroit esq tech house monster sure to set the dance floors alight especially when the bass line kicks in. deep chords and fx all the way plays from all the usual suspects?

prolific spanish producer dj chus (black vinyl, fluential, nrk, bluem) with a percussive slammer which builds with funky guitar riffs, deep strings and a seriously smooth sax that will rip up any floor especially in ibiza. 3 mixes

this lp, composed especially for the orchestre univers, was recorded live over the course of four concerts, performed at the four corners of the reunion, in the islands most beautiful concert halls

floating points personal collection of global soul, ambient, jazz, folk treasures from the latest in the late night tales. includes exclusive material from sarah davahi, toshimaru nakamura and floationg points cover version of kenny wheeler. also features an exclusive spoken world piece by lauren laverne. included bonus download code to the unmixed track versions in flac, wav & mp3

kink - live improvised outro as we reach the 19th year of cocoons residence on ibiza, the location may have changed from amnesia to pacha, but the enthusiasm for perhaps the most enduring party on the mediterranean island is guaranteed to continue. actually, only the sun, sea and wind are more reliable! the celebrated live sets of bulgarias life wire strahil velchev aka kink have been a vital ingredient for the ecstatic nights over the years. with unprecedented regularity, the man from sofia has been voted best live act by readers of groove magazine for the last three years, and in 2017 he was also crowned best electronic music producer. as kink, together with sven vŠth, celebrate one of the most popular evenings of this years season as well, what could be more logical than to repurpose the famed cocoon ibiza mix cd series into another live document of the event? no sooner said than done, and so here the bulgarian offers a 70-minute cross-section of his skills. well-known tracks, especially from last years playground lp (running back) meet exclusive, unreleased material in a spontaneous tour de force through the history of electronic dance music. there are distinctive nods to chicago and detroit, jazzy organs spiralling into string-drenched skies

answer code requestÕs 2014 debut lp code was an exciting moment for electronic music in berlin Ð one that offered a break from the eternal hall and monolithic 4/4 kicks that ruled the cityÕs club landscape. as a hybrid gesture, the albumÕs spirit recalled an especially fruitful era in the german capital from the mid-90s to early 2000s, when dub and pad- driven detroit techno cross-pollinated with berlinÕs industrial aesthetic to create one of the cityÕs most exciting musical chapters.

2cd digipack + booklet - includes 21 classic tracks + 2 previously unreleased titles. review on acid jesus, the first of many collaborations between roman flŸgel and jšrn elling wuttke. including 2 unreleased tracks! situated in germanyÕs then blistering techno scene and especially a mirror of frankfurt at the time (and it s holy label trinity of playhouse, klang and ongaku), flashbacks are also a feedback loop to what was happening in the uk and the usa. flŸgel and wuttke succeeded with their own and unique take on it, that owned as much to underground resistance and the belleville three as it did to sven vŠth and andrew weatherall.

this is a clear perspective on comelades musical universe and can be considered as an ultimate best of and a radical introduction tothis chaotic and uncompromising instrumental music. rocanrolorama abrege (abbreviated rockandrolorama, in english) is the short version of the complete works and reworks of pascal comelade published at the end of 2016 as a 6-cd box set in a sold-out limited edition of 1000 numbered and signed copies. pascal comelade made this album as if it was a new and separate album, with tracks that he considers best represent his work, from 1993 to 2016, according to the principle applied with the rocanrolorama box set: songs in their original form, alternative versions, reworks, additionsÉ this short version was conceived especially for a double vinyl lp format: four sides with six tracks each, which you can listen to in the right order, from start to finish, according to a logical, thought-out progression for each side (slow tempo, medium tempo, orchestrations, electricity, etc.)

being pioneers with a new album created in no more than 6 months, the orb are bound to be exposed to fan expectations running high, while quizzical questions about little fluffy clouds and the good old times take over. it s especially jarring as the duo of accomplished soundsmiths alex paterson and thomas fehlmann has become known for its genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats. the funny thing is, though, that whatever the context, you know a track from the orb when you hear it. case in point: cow / chill out, world!, their latest full-length offering - a masterful ambient album that branches out in many directions, but unmistakably sounds like the orb in either ear (and probably to your third ear, too).

a really well done compilation Ð the first of what looks to be a great label from dakar! this well researched, fully annotated collection brings together rare work by idrissa diop Ð a great range of early 70s material done before his relocation to france, lots of it with a great blend of senegalese and cuban elements! the rhythms are wonderful Ð really spinning out in these hypnotic ways, and often encouraging a bit of descarga-like jamming from the musicians, especially on the longer tracks Ð and the full notes in the set really helps put the music in context. titles include -caridad-, -kaele-, -massani cisse-, -fonkale garape-, -gueth-, -yaye boye-, -cintorita-, and -dioubo-.

heidis-run jackathon parties have been hitting cities internationally since late 2009, now with residencies in london, berlin, paris, miami, manchester and amsterdam Ð jackd house is truly taking a fair slice of the scene. the compilation isnt an add on, a supplement to the nights: its deep grounded sound and thoughtfully crafted line-up backs up the global club-motion that is emerging within heidis control.mix favourites step up as the deep and bassy foundings of deetrons the juggler, funk-told incoming bitch by soul clap and move-strong whiff it yawl from jamie jones. although the first mix this year to really engage in houses history, its freedom status Ð it escapes cliche, avoiding big cheez for serious deep, electronics: heidi keeps the listing real. the especially-recorded vocal drops of house-legend derrick carter also make the record what it is, his infamous chicago-born vox gives residence to what heidis trying to do: resurrect the old school.dancefloor destruction is on pause, the club is still a playground, still moving hard theres just more room to play now, as steve bugs last track titles: jacks back.

the album was one of the first to reach a far different audience to the traditional >world music< market and spawned many further projects and labels in its wake. a year later, the >nigeria 70< compilation surfaced on strut and labels like soundway and analog africa would continue to unearth amazing lost gems from the motherland. the album is testament to the determined work of brooker following several research trips, especially to east africa - kenya and zaire!

>in the red< is the debuet album of trus me.its a collaboration of several vocalists and musicians,especially the jazzy detroit innovator amp fiddler who features two tracks on the organic and song based album.

like hardly any other contemporary dj, catherine britton aka cassy is living at the interfaces between reduction and soul, jazzy deep house and geometrically structured techno. and it comes as no surprise, because being the english-born daughter of a caribbean father and an austrian mother, cassy started at a very early age to develop a sense for artistic aesthetics that draws its special magic from the >in-between< especially. being resident in berlin since 2003, she quickly gained a residence at the panorama bar, worked as a producer with such renowned musicians like ricardo villalobos, luciano, mathew jonson or swayzak and releases her music on labels such as perlon, ostgutton as well as on her own imprint cassy. simply devotion, cassys 2nd mix cd after the highly acclaimed panorama bar 01 compilation is a proof of her love for deep house of a different kind, which has - despite occasional flashes of souly vocals - nothing to do with garage house and handbag factor

bpitch control / in recording moderats self-titled album, the three men began by renting studio space at the legendary berlin hansa studios (where bowie recorded heroes) in order to record the album in analog with the help of the studios vintage tube technology and an old emi console from 1972, restored especially for moderat. american software designer, joshua kit clayton, was hired to program a superb reverb algorithm specifically for the recording process of this album